Sakurajima has a special place in the hearts of the Kagoshima people. It’s an active volcano located in Kagoshima Bay, just off the coast from Kagoshima City. The volcano has minor eruptions on a regular basis even today. Sakurajima-yaki is a local pottery made from volcanic ash and natural hot spring water. It’s completely unique to the Sakurajima area. The pieces themselves have a primal quality that speaks of the dynamic source of the materials. The makers of Sakurajima-yaki run a little kiln at the base of the volcano called Ougaku Tougei. The kiln they run isn’t a traditional one with several generations of history. It was in fact established one generation ago by a man who managed to make his passion a success within his lifetime.
Place: Ougakutogei
Translator: Claire Tanaka
Firstly, could you tell me what is special about Sakurajima-yaki pottery?
It depends on the item, but there is a silver sheen in it called “ginsai” which is unique. The clay has a lot of iron and minerals in it, and when it’s fired at 1300 degrees, it develops a silver luster.
It gives a certain sense of the magic of nature, doesn’t it?
We believe that there is a certain natural energy dwelling in the material that produces the uniquely rugged yet refined look in the works.
What kind of history does Sakurajima-yaki have?
Actually, Sakurajima-yaki isn’t a style of pottery with a long history or tradition. Sakurajima itself has been around for many tens of thousands of years, so the clay itself surely has a very long history, but Sakurajima-yaki pottery was started by my father.
So, your father was a potter then, I suppose?
No. Originally, he was a local civil servant who worked in the Sakurajima town office in the tourism department. A bureaucrat. I don’t know what he was thinking, but suddenly he established a kiln. I imagine he’d gone to someplace like Ijuin, which is a place famous for Satsuma-yaki ceramics, and had some kind of revelation.
In rural areas, working as a civil servant is one of the best, most stable jobs you can get! Why did he quit?
That’s true. He never talked about it with his family, he just said, “I’ve submitted my resignation papers,” and started doing pottery. I was still just a high schooler then and I didn’t really understand. I just thought, “What on earth has he done?” He was in his late-forties and he made a big life decision. The family was too busy to object; he had us all helping out at the kiln! (laughs) Kagoshima men are all stubborn, so once he made up his mind he wouldn’t have listened to what we said anyway.
That’s an amazing story. If he was willing to make such a decision, he must have been very attracted to pottery, or a very good sense about it.
Of course my father had a certain amount of interest in Satsuma-yaki. But he was so badly coordinated, and he’d never done pottery before. He started the workshop in 1972, and it was just a constant run of errors. He’d study a bit then make something, study and make again. Over and over.
If he started the kiln up without any preparation in advance, then you must have had no income at all for quite a while.
Yes, that’s right. He just spent every day working at it, and he kept at that for two years. In other words, we went two years without an income. He had no sense of how to run a business. He did set up a store at the workshop, but he had never done that kind of business before, and the shop looked just like a house, with a gate and everything.
You operated the business as a family, isn’t that right?
Yes. My father did the firing, my sister turned the wheel, and I did the glazing. There were two other staff as well. My mother was running a fruit shop. I think that’s how we were able to stay alive . Even so, we were up to our ears in debt. The fear of the bills at the end of every month is something I can’t forget even now. But other than that, we were quite laid back. We had the attitude, “As long as we make it, it’ll sell someday.” We’d talk about how, “Pottery doesn’t have an expiry date.” So we just kept building up our stock. (laughs)
When did things finally start selling?
That was when the tourist boom happened. It was around 1976. Back then it wasn’t easy to take trips overseas. Everyone took their holidays within Japan. Miyazaki and Kagoshima were particularly popular. For honeymoons, people didn’t go to places like Hawaii, Guam, and Saipan like they do now. A lot of people came to Kyushu. So people would come to Kagoshima and visit Sakurajima, come to our shop and buy some things to take home. We started getting more and more customers like that.
In one sense, it’s quite amazing that the kiln got on track in just one generation.
We had our low points – we were taken by a wholesaler for a few million yen once, but during the bubble years in the 1980s, our stuff just flew off the shelves. Our huge parking lot was packed with cars. We sometimes ran out of things to sell. Even then, the customers wanted to buy something to take home, so they waited outside for the pieces to be fired.
They were buying fresh-baked dishes straight out of the oven!
Yes they were. They’d look inside the kiln at the pots and say, “I’ll take one of these and one of those.” When I think about it now I can hardly believe it myself.
What are your thoughts on how to proceed now?
Actually, the founder, my father, passed away last year. The economy isn’t very good now, so I can’t say we’re doing well, but the Kyushu Shinkansen bullet train service is starting in 2011. I’m hoping that will bring some more visitors to Kagoshima’s Sakurajima. Well, we already know what it’s like to hit rock bottom, so in that sense we have nothing to fear. (laughs) I hope we can continue to manage the business debt-free, and keep providing good products for our customers.
I’m sure your father would be very happy to know that the family is still carrying on his life’s work.
I think so too. But I wish I had asked him, “Why did you become a potter?” That’s one thing I still don’t know, even now. (laughs)
